Start your rounds in the same stitch as your chain. Your last stitch should be in the stitch before your chain. Here is part 1 of the video tutorial. It shows how to crochet rounds of the mo size hat.
I have not heard it yet myself. The most literate and experienced of this group, who is also the owner of the XV-1S, wrote this short review. There's some minor editing and my bold: It is very well built keeping in mind it is after all a cartridge and will mate with just about any analog set up.
What makes the 1S so special is its overall balance.
It is superb in all parameters of performance and exceptional in a few, namely harmonic completeness and tonal accuracy. How much better can it get?
Well, that brings us to the 1T. The 1T looks very similar in appearance to the 1S, but incorporates a slew of improvements structurally and electrically. How does all this translate sonically? The answer is quite sizable. The sonic enhancement is evident in practically all areas. Take what is special about the 1S and turn it up a notch or two.
The 1T refines all the already stellar attributes of the 1S. For example, the delectable high frequency response of the 1S gains more air and silkiness through the 1T. The bass takes on a slightly punchier, ballsier feel. Sounds somewhat strange reading back those last two words.
The mids, especially female vocals and massed strings, sound more luminous and fully fleshed Super size me critique. There does exist two categories of reproduction that does take a giant stride forward.
The first is soundstaging. Not only does the image become vastly more open and expansive, the focus within the soundstage is eerily precise. The location of instruments on stage can be located with uncanny exactitude.
Close one's eyes or listen in the dark, and the speakers if the audio system is so capable will disappear. The second area of performance breakthrough involves capturing the weight of instruments.
This is particularly true with double bass, cellos, organs, and drums, but still evident with lighter instruments such as guitar, horns and violins.
The initial attack of the instruments possess greater intensity, and the full measure of their force has a heightened visceral sensation.
This quality generates true excitement when listening to reproduced music, approaching the feeling one gets at a live concert. To achieve optimum performance with the 1S and 1T, will not only require precise setup, cartridge loading will also noticeably affect their sound.
It is recommended that the 1S be loaded at ohms and the 1T, due to its higher internal impedance, see a ohm load. Obviously, owners can experiment and settle on any setting they desire, but the recommended settings will maximize the cartridges performance, given the context of a high resolution, accurate audio system.
Both the 1S and 1T are at the pinnacle of the cartridge hierarchy. Living with the 1S will provide a highly enjoyable, rewarding vinyl listening experience that will leave little to be desired.
It is not "night and day", nor does it represent "a difference of kind". The 1T is an easily discernible refinement and, if money is of no consequence, it is highly recommended as the cartridge of choice. Is it worth its extravagant price?
That question can be answered as follows: If an equal or superior cartridge is available at a lower price, then the response would clearly be no. Unfortunately, at present, I am unaware of any other cartridge, at any price, that is its equal.
He has now USED one for 4 years. He has been extremely impressed with it, claiming it's still "the best he's heard so far". I later auditioned it myself, extensively, in August and then later in October At first, I wasn't able to isolate the performance of the Dynavector from the rest of the system, but my second audition, in Octoberconfirmed my original assessment; it is superb in every audio category imaginable, and any flaws it has are relatively minor.
My associate informs me that the Dynavector requires 2.The Mamiya Press that my friend had purchased seemed very utilitarian in its appearance. It sat sort of squat and boxy, with a green-gray toned leather covering that almost made me think it was designed to be used in a jungle by some nation’s army.
The story of ’s Super Bowl begins in , when the NFL started soliciting proposals from entertainment production companies to plan for halftime shows in the years ahead. Sep 13, · Although this startling thesis was hard for some to swallow, the book appeared credible due to its exhaustive references and the author’s laundry list of credentials—including a PhD from Cornell, authorship of over three hundred scientific papers, and decades of direct research experience.
It wasn't easy being a Nintendo fan in the early 90s: the wonderful Super Famicom was released in Europe as the Super Nintendo Entertainment System, but it was hobbled by a bordered, 50Hz image and delayed release schedule.
May 21, · Watch video · Morgan Spurlock’s ‘Super Size Me 2’ May Never Be Released, But One Of Its Subjects Is Still Fighting For You to See It you could pick that much out of the trailer, and write a slanted review based solely on the imperfections of that particular plot device as an overall impact study and call it a day.
I wouldn't be a bit surprised to /10(K). May 07, · I know because Morgan Spurlock proves it in "Super Size Me." This is the documentary that caused a sensation at Sundance and allegedly inspired McDonald's to discontinue its "super size" promotions as a preemptive measure.3/5.