Nineteenth-century piano music essays in performance and analysis

Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. Hidden agendas and the creation of community: Trial by dining club: Zon researches British culture of the long nineteenth-century, with particular interest in the relationship of music to evolutionary and theological thought.

Nineteenth-century piano music essays in performance and analysis

Pianist David Witten has been described as a pianist "with that rare, elusive quality that charms and fascinates the listener. As the recipient of a Fulbright Scholar award, Witten spent five months teaching and concertizing throughout Brazil, and he is frequently invited back to give concerts and masterclasses.

Witten has also been active in contemporary music.

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He is the editor of Nineteenth-Century Piano Music: Essays in Performance and Analysis Garland Publishing,which includes his landmark analytical study of the Chopin Ballades.

His undergraduate studies at the Johns Hopkins University led to a degree in Psychology. Later graduating with high honors from Boston University, he earned the degree of Doctor of Musical Arts in piano performance.

After twenty years as an active recitalist, chamber music pianist, and teacher in the Boston area, Witten accepted a position at the Cali School of Music at Montclair State University, where he is currently Coordinator of Keyboard Studies.

Nineteenth-century piano music essays in performance and analysis

He is also Artist Laureate of the Tcherepnin Society. As an enthusiastic photographer, Professor Witten has won top prizes in several international photography competitions.

Nineteenth-century piano music essays in performance and analysis

He has had solo photography exhibitions in Budapest and Milan.Nineteenth-Century Piano Music clarifies some theoretical concepts, debunks some longstanding myths, and above all, stimulates the reader's intellectual curiosity about the piano repertoire of the 19th century.

While our emotions tell us that this repertoire is thrilling to hear and exciting to play, our intellect demands explanations, some of which are provided in the essays in this collection. Wolfgang Amadeus Mozart wrote 23 original concertos for piano and benjaminpohle.com works, many of which Mozart composed for himself to play in the Vienna concert series of –86, held special importance for him.

Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture.

He is editor of Nineteenth-Century Piano Music: Essays in Performance and Analysis (Garland, ), which includes his landmark analytical study of the Chopin Ballades.

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Born in Baltimore, Witten studied at Peabody Conservatory and Rubin Academy of Music in Jerusalem. Nineteenth-Century Piano Music clarifies some theoretical concepts, debunks some longstanding myths, and above all, stimulates the reader's intellectual curiosity about the piano repertoire of the 19th century.

Charles Burkhart is an American musicologist, theorist, composer, and benjaminpohle.com holds the title of Professor Emeritus in the Aaron Copland School of Music, Queens College, and the Graduate Center, City University of New York. He is known especially as a scholar in Schenkerian analysis and as a successful lecturer and master class presenter.

Nineteenth-century piano music : essays in performance and analysis - JH Libraries